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A synthesizer often abbreviated as synth, also spelled synthesiser is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate traditional musical instruments like piano, Hammond organ, flute, vocals natural sounds like ocean waves, etc. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built in controllers are often called sound modules, and are controlled via USB, MIDI or CVgate using a controller device, often a MIDI keyboard or other controller. Tera Milna Pal Do Pal Ka In 2016. Synthesizers use various methods to generate electronic signals sounds. Among the most popular waveform synthesis techniques are subtractive synthesis, additive synthesis, wavetable synthesis, frequency modulation synthesis, phase distortion synthesis, physical modeling synthesis and sample based synthesis. Synthesizers were first used in pop music in the 1. In the late 1. 97. In the 1. 98. 0s, the invention of the relatively inexpensive, Yamaha DX7 synth made digital synthesizers widely available. In the 2. 01. 0s, synthesizers are used in many genres of pop, rock and dance music. Contemporary classical musiccomposers from the 2. HistoryeditThe beginnings of the synthesizer are difficult to trace, as it is difficult to draw a distinction between synthesizers and some early electric or electronic musical instruments. Early electric instrumentseditOne of the earliest electric musical instruments, the Musical Telegraph, was invented in 1. American electrical engineer Elisha Gray. He accidentally discovered the sound generation from a self vibrating electromechanical circuit, and invented a basic single note oscillator. This instrument used steel reeds with oscillations created by electromagnets transmitted over a telegraph line. Gray also built a simple loudspeaker device into later models, consisting of a vibrating diaphragm in a magnetic field, to make the oscillator audible. This instrument was a remote electromechanical musical instrument that used telegraphy and electric buzzers that generated fixed timbre sound. Though it lacked an arbitrary sound synthesis function, some have erroneously called it the first synthesizer. Early additive synthesizer tonewheel organseditIn 1. Thaddeus Cahill invented the Telharmonium or Dynamophone, which used dynamos early electric generator,5 and was capable of additive synthesis like the Hammond organ, which was invented in 1. Cahill built 3 versions of the instrument, the first of which, weighed over two tons. Cahills business was unsuccessful for various reasons size of system, rapid evolutions of electronics, crosstalk issues on the telephone line etc., and similar but more compact instruments were subsequently developed, such as electronic and tonewheel organs. Emergence of electronics and early electronic instrumentseditIn 1. American engineer, Lee De Forest ushered in the electronics age. He invented the first amplifyingvacuum tube, called the Audion tube. This led to new entertainment technologies, including radio and sound films. These new technologies also influenced the music industry, and resulted in various early electronic musical instruments that used vacuum tubes, including Most of these early instruments used heterodyne circuits to produce audio frequencies, and were limited in their synthesis capabilities. Ondes Martenot and Trautonium were continuously developed for several decades, finally developing qualities similar to later synthesizers. Graphical soundeditIn the 1. Arseny Avraamov developed various systems of graphic sonic art,9 and similar graphical sound systems were developed around the world, such as those as seen on the Holzer 2. In 1. 93. 8, USSR engineer Yevgeny Murzin designed a compositional tool called ANS, one of the earliest real time additive synthesizers using optoelectronics. Although his idea of reconstructing a sound from its visible image was apparently simple, the instrument was not realized until 2. Murzin was an engineer who worked in areas unrelated to music Kreichi 1. Subtractive synthesis and polyphonic synthesizereditIn the 1. The earliest polyphonic synthesizers were developed in Germany and the United States. The Warbo Formant Organ developed by Harald Bode in Germany in 1. Dachau, according to the 1. Electronic Music. The Hammond Novachord released in 1. During the three years that Hammond manufactured this model, 1,0. World War II. 1. 51. Both instruments were the forerunners of the later electronic organs and polyphonic synthesizers. Monophonic electronic keyboardseditIn the 1. These small instruments consisted of an electronic oscillator, vibrato effect, passive filters etc. Most of these except for Clavivox were designed for conventional ensembles, rather than as experimental instruments for electronic music studiosbut they contributed to the evolution of modern synthesizers. These small instruments included Other innovationseditIn the late 1. Canadian inventor and composer, Hugh Le Caine invented the Electronic Sackbut, a voltage controlled electronic musical instrument that provided the earliest real time control of three aspects of sound volume, pitch, and timbrecorresponding to todays touch sensitive keyboard, pitch and modulation controllers. The controllers were initially implemented as a multidimensional pressure keyboard in 1. In Japan, as early as in 1. Yamaha released Magna organ,1. It may have been similar to the electrostatic reed organs developed by Frederick Albert Hoschke in 1. Everett and Wurlitzer until 1. In 1. 94. 9, Japanese composer Minao Shibata discussed the concept of a musical instrument with very high performance that can synthesize any kind of sound waves and is. Electronic music studios as sound synthesizerseditAfter World War II, electronic music including electroacoustic music and musique concrte was created by contemporary composers, and numerous electronic music studios were established around the world, especially in Cologne, Paris and Milan. These studios were typically filled with electronic equipment including oscillators, filters, tape recorders, audio consoles etc., and the whole studio functioned as a sound synthesizer. Origin of the term sound synthesizereditIn 1. RCA produced a machine called the Electronic Music Synthesizer however, it was more accurately a composition machine, because it did not produce sounds in real time. RCA then developed the first programmable sound synthesizer, RCA Mark II Sound Synthesizer, installing it at the Columbia Princeton Electronic Music Center in 1. Prominent composers including Vladimir Ussachevsky, Otto Luening, Milton Babbitt, Halim El Dabh, Blent Arel, Charles Wuorinen, and Mario Davidovsky used the RCA Synthesizer extensively in various compositions. From modular synthesizer to popular musiceditIn 1. Harald Bode developed a modular synthesizer and sound processor,2. He also served as AES session chairman on music and electronic for the fall conventions in 1. His ideas were adopted by Donald Buchla and Robert Moog in the United States, and Paolo Ketoffet al. Same Gnome Game there.